When viewers search for tv shows with Josh Segarra, what they find is not a neat, one-genre résumé — they find a career that has moved deliberately and ambitiously across children’s television, police procedurals, superhero dramas, dark comedies, prestige comedies, animated series, and ensemble ensemble casts spanning over fifteen years. Josh Segarra is one of those rare Puerto Rican performers who has built a screen identity rooted not in a single defining role but in an extraordinary accumulation of them — each chosen with care, each inhabited with full commitment, and each demonstrating something new about what this Florida-born, NYU-trained, Broadway-tested actor can do.
Biography / Wiki Table
| Detail | Information |
|---|---|
| Full Name | Joshua Segarra |
| Date of Birth | June 3, 1986 |
| Age (2025) | 38 years old |
| Place of Birth | Longwood, Florida, USA |
| Nationality | American |
| Ethnicity | Puerto Rican |
| Languages | English, Spanish (fluent) |
| Height | 5 ft 11 in (180 cm) |
| Eye Color | Brown |
| Hair Color | Dark Brown |
| Education | NYU Tisch School of the Arts (Theatre, graduated 2008) |
| Religion | Pentecostal upbringing |
| Wife | Brace Rice Segarra (married October 17, 2014) |
| Son | Gus Maine Segarra (born September 2016) |
| Broadway | On Your Feet! (Emilio Estefan), Lysistrata Jones, Dogfight |
| Signature TV Role | Adrian Chase / Prometheus — Arrow (CW, Season 5) |
| Current TV | Animal Control (Fox), Best Medicine |
| Net Worth (est.) | Approximately $3 million |
| Social Media | Active on Instagram |
| Representation | Abrams Artists Agency; ATA Management; Jackoway |
Introduction: Why Josh Segarra Keeps Showing Up on Your Screen
There is a specific kind of television actor who does not merely appear in shows — who makes the shows they appear in measurably better. Josh Segarra is that actor. From the moment he first gained national television attention playing Hector Ruiz on PBS Kids’ The Electric Company through to his most recent work as a series regular on Fox’s Animal Control and his casting in the Netflix limited series Sirens, he has never phoned in a performance, never allowed a supporting role to become invisible, and never stopped expanding the range of what he brings to the screen.
His Puerto Rican heritage, his bilingual fluency, his Pentecostal church-trained voice, his physical commitment, and the rigorous theatrical foundation he built at NYU’s Tisch School of the Arts all combine in a screen presence that is simultaneously warm and authoritative, funny and dramatically serious, quietly grounded and capable of explosive intensity. Understanding the full arc of his television work is to understand how a genuinely gifted performer builds a sustainable, genre-spanning career across more than a decade of professional television.
The Beginning: The Electric Company (PBS, 2009–2011)
Josh Segarra’s first major television role came in 2009 when he was cast as Hector Ruiz — a series regular on the PBS Kids educational programme The Electric Company. The show, a revival of the iconic 1970s series, ran for two seasons from 2009 to 2011 and was aimed at elementary-school-aged children, combining live-action performance with an emphasis on literacy and language skills.
Playing a series regular on a children’s educational programme is not a glamorous credit by Hollywood standards — but it is an enormously demanding one. Children’s television requires a performer who can hold young attention with genuine warmth and energy, maintain consistent characterisation across a long episode run, and bring the same commitment to the fifteenth take of a literacy sketch as the first. Segarra did all of this for two full seasons, building exactly the kind of professional discipline that would serve him in every subsequent role.
Establishing Presence: Homeland, The Following, Blue Bloods (2011–2014)
As The Electric Company wound down, Segarra began accumulating the guest credits that signal an actor transitioning from recurring to genuinely sought-after. He appeared in Homeland — the Showtime espionage drama starring Claire Danes and Damian Lewis that was at the peak of its critical reputation during his appearance — and in The Following, the Fox psychological thriller built around Kevin Bacon’s performance as a former FBI agent pursuing a cult-leading serial killer.
He also appeared in Blue Bloods on CBS — the long-running procedural drama about a family of New York law enforcement professionals, starring Tom Selleck and Donnie Wahlberg. His episode, “Knockout Game” in Season 4, placed him opposite two of network television’s most experienced procedural performers, and he held his ground entirely.
These were not large roles. But the productions were significant, the professional standards were high, and appearing in them demonstrated that the industry was already viewing Segarra as a credible, reliable screen presence worth booking for quality material.
First Breakthrough: Sirens (USA Network, 2013–2015)
The first television role that gave Josh Segarra genuine recurring prominence was Billy Cepeda in Sirens — the USA Network comedy about a dysfunctional Chicago ambulance crew. He joined as a recurring character in the first season before being promoted to series regular in the second. The show was cancelled after two seasons, but the experience was significant: it placed him at the centre of a fast-paced ensemble comedy, gave him sustained character development across multiple episodes, and demonstrated a comedic ease that his earlier dramatic guest work had not fully shown.
Sirens also served as his introduction to the specific demands of the single-camera comedy format — the timing, the naturalism, the ability to make funny moments feel entirely unperformed — that would serve him in the comedy-heavy work he would take on later in his career.
Chicago P.D. (NBC, 2014–2016): Entering the Dick Wolf Universe
Running concurrently with and then following Sirens, Segarra joined the cast of Chicago P.D. on NBC as Justin Voight — a recurring character in one of Dick Wolf’s sprawling interconnected Chicago procedural franchise. Chicago P.D. was, and remains, one of the most commercially successful police dramas on American network television, with a massive and loyal weekly audience.

The role gave him access to a production infrastructure and viewership scale that USA Network could not match, and it placed him in scenes alongside Jason Beghe, Patrick Flueger, and Jesse Lee Soffer — experienced network drama performers whose professional standards are uncompromising. He held his own across multiple seasons of appearances, building the kind of industry relationships that sustain long careers.
The Defining Role: Arrow — Adrian Chase / Prometheus (CW, 2016–2018)
If one television credit changed everything for Josh Segarra, it was his casting as Adrian Chase — the District Attorney of Star City who is secretly Prometheus — as a series regular in the fifth season of the CW’s superhero drama Arrow. The role was the most complex, demanding, and high-profile of his screen career to that point, and he delivered one of the most celebrated villain performances in the entire Arrowverse.
What made Prometheus exceptional as a villain — and what made Segarra’s performance so remarkable — was its psychological sophistication. Adrian Chase is not a straightforward antagonist. He is a man whose plan for Oliver Queen / Green Arrow has been years in the making, who wears the mask of a respected civic official while concealing an identity built entirely around vengeance. The role required Segarra to hold absolute ambiguity — to make the audience genuinely uncertain, across an entire season, when Chase is performing and when he is being honest — while simultaneously delivering the physical intensity that the show’s action sequences demanded.
Critics and fans responded with unusual enthusiasm. The Prometheus arc is consistently ranked among Arrow’s finest seasons, and Segarra’s contribution to its success is inseparable from that assessment. He returned in guest appearances in seasons six and eight, and the character’s shadow continued to fall across the show’s mythology long after his departure.
Comedy Range: The Other Two (Comedy Central / HBO Max, 2019–2023)
After the intensity of Arrow, Segarra demonstrated his tonal range by joining The Other Two — the sharp, satirical comedy about two siblings navigating the sudden pop-star fame of their younger brother. Created by former SNL writers Chris Kelly and Sarah Schneider, The Other Two is one of the smartest and most precisely observed comedies in recent American television, and appearing in it placed Segarra firmly in the conversation about his comedic credentials.
The show, which ran on Comedy Central before moving to HBO Max, attracted a devoted critical following for its skewering of celebrity culture, digital media, and the particular absurdity of contemporary fame. Segarra’s recurring role within its ensemble gave him the chance to operate at the highest level of comedy writing, demonstrating the lightness and specificity that the best comedic television demands.
AJ and the Queen (Netflix, 2020) and Orange Is the New Black (Netflix)
His Netflix credits further expanded his reach. On AJ and the Queen — the comedy series created by and starring RuPaul, about a drag queen touring America with a stowaway child — Segarra brought warmth and genuine charm to a production defined by its celebration of queer identity, chosen family, and the unexpected connections that cross-country travel produces.

His appearance in Orange Is the New Black, Netflix’s landmark drama-comedy set in a women’s federal prison, placed him in one of the decade’s most culturally significant American television productions — a show that fundamentally changed conversations about representation, incarceration, and the scope of ensemble storytelling on streaming platforms.
Dolly Parton’s Christmas on the Square (Netflix, 2020)
One of the more distinctive single credits in Segarra’s filmography is his appearance in Dolly Parton’s Christmas on the Square — the Netflix holiday musical starring Dolly Parton herself, Jenifer Lewis, and Christine Baranski. He played Pastor Christian Hathaway, a character who serves as a moral and community anchor in a story about a wealthy woman confronting the better angels of her nature at Christmas. The production was directed by Debbie Allen and featured original songs by Dolly Parton. It won the Emmy Award for Outstanding Television Movie. For Segarra — with his musical theatre background and his genuinely warm screen presence — the role was a natural fit, and the production’s Emmy win made it one of the more prestigious single credits on his résumé.
She-Hulk: Attorney at Law (Disney+, 2022)
His entry into the Marvel Cinematic Universe came with She-Hulk: Attorney at Law — the Disney+ legal comedy-drama following Jennifer Walters, a lawyer who acquires the ability to transform into a large green superhero. Segarra appeared as Pug, a fellow attorney in Jennifer’s orbit whose character provided both comic support and genuine warmth within the show’s ensemble. The MCU credit placed him in the most commercially powerful entertainment universe on earth and introduced his work to the global audience of Marvel fans who might not have previously encountered it.
The Big Door Prize (Apple TV+, 2023–2024): Prestige Comedy in Full Bloom
Among the most critically celebrated television work of Segarra’s recent career is his recurring role as Giorgio in The Big Door Prize — the Apple TV+ philosophical comedy based on M.O. Walsh’s novel, created by Emmy Award winner David West Read of Schitt’s Creek. The show, starring Chris O’Dowd, centres on a small-town community grappling with the arrival of a mysterious machine that reveals each person’s true life potential.

Segarra appeared as a regular across both seasons of the show, working within an ensemble that included Gabrielle Dennis, Ally Maki, Damon Gupton, Crystal Fox, and others. The Big Door Prize received strong critical notices for its warmth, its intelligence, and its genuine emotional depth — qualities that Segarra’s Giorgio contributed to meaningfully. The show demonstrated his ability to anchor a prestige comedy ensemble with the same naturalism and presence that he brings to more dramatically intensive work.
Abbott Elementary (ABC, 2024): The Critics’ Darling
His guest appearance as Manny — a school district representative for Philadelphia — in the acclaimed ABC mockumentary comedy Abbott Elementary placed him in one of the most beloved sitcoms on American network television. Abbott Elementary has consistently been praised as one of the finest comedies produced in the United States during the 2020s, earning multiple Emmy Awards and a devoted audience. A guest credit on the show is a meaningful mark of the industry’s esteem, and Segarra’s appearance added to the list of significant ensemble comedies in which his work has been recognised.
Sirens (Netflix, 2025): Limited Series With Julianne Moore
In 2024, it was announced that Segarra had joined the cast of Netflix’s limited series Sirens — an entirely separate production from the USA Network comedy of the same name in which he appeared a decade earlier. This Sirens is a female-driven dark comedy created by Emmy-nominated writer and showrunner Molly Smith Metzler, starring Julianne Moore, Meghann Fahy, and Milly Alcock. Segarra’s casting in a limited series with this calibre of lead performer and creative team represents another significant step forward in a career that has been characterised by steady, intelligent upward movement.
Animal Control (Fox, 2024–Present): Series Regular
His most sustained current television commitment is as a series regular on Animal Control — the Fox comedy about a group of local animal control workers whose daily professional encounters with the animal world provide a comedic lens through which to examine human nature. The show, which premiered on Fox and has built a loyal audience, gave Segarra his first series regular credit on a major broadcast network comedy — a meaningful career milestone that placed him at the centre of a weekly primetime production.
His character Sheriff Mark Mylow in the show’s 2026 season continues to receive attention as one of the production’s most reliably entertaining elements, reflecting what audiences and casting directors have known about Segarra for years: that his warmth, his comedic timing, and his physical presence make him an anchor for ensemble casts rather than simply a supporting element within them.
Complete TV Shows Filmography Table
| Year | TV Show | Network / Platform | Role | Status |
|---|---|---|---|---|
| 2005 | Vampire Bats | CBS | Miles | TV Movie |
| 2009–2011 | The Electric Company | PBS Kids | Hector Ruiz | Series Regular |
| 2011 | Homeland | Showtime | Guest | Drama |
| 2013 | The Following | Fox | Guest | Drama |
| 2014 | Blue Bloods | CBS | Guest (S4 E17) | Drama |
| 2013–2015 | Sirens (USA) | USA Network | Billy Cepeda | Series Regular (S2) |
| 2014–2016 | Chicago P.D. | NBC | Justin Voight | Recurring |
| 2016–2017 | Arrow (CW) | CW | Adrian Chase / Prometheus | Series Regular (S5) |
| 2018 | Arrow (CW) | CW | Prometheus | Guest (S6) |
| 2019 | The Other Two | Comedy Central | Recurring | Comedy |
| 2019 | The Moodys | Fox | Marco | Recurring |
| 2019 | Katy Keene | The CW | Guest | Drama |
| 2020 | AJ and the Queen | Netflix | — | Recurring |
| 2020 | Orange Is the New Black | Netflix | — | Guest |
| 2020 | FBI | CBS | Special Agent | Guest |
| 2020 | Dolly Parton’s Christmas on the Square | Netflix | Pastor Christian Hathaway | TV Movie (Emmy Winner) |
| 2020 | Arrow (CW) | CW | Prometheus | Guest (S8) |
| 2021 | God Friended Me | CBS | Guest | Drama |
| 2022 | She-Hulk: Attorney at Law | Disney+ | Pug | Recurring |
| 2023–2024 | The Big Door Prize | Apple TV+ | Giorgio | Recurring (S1–S2) |
| 2023 | Laid | Netflix | — | Guest |
| 2024 | Abbott Elementary | ABC | Manny | Guest (S3) |
| 2024 | Animal Control | Fox | Sheriff Mark Mylow | Series Regular |
| 2025 | Sirens (limited series) | Netflix | — | Limited Series |
| 2025 | Best Medicine | — | Raymond | Series |
| 2026 | Animal Control | Fox | Sheriff Mark Mylow | Series Regular (continuing) |
| 2026 | The Threesome | — | Kevin | Film / Series |
What the Television Career of Josh Segarra Tells Us
Looked at as a whole — from the PBS Kids classroom of The Electric Company to the Marvel Cinematic Universe to the prestige Apple TV+ comedy of The Big Door Prize to the primetime Fox series regular work of Animal Control — the television career of Josh Segarra tells a consistent story. It is the story of a performer who has never settled for less than the best project available to him at each stage of his career, who has used every credit to develop a new muscle or demonstrate a new dimension of his craft, and who has brought to every role the combination of genuine talent and relentless preparation that his NYU training, his Broadway experience, and his Florida-raised Puerto Rican character have always demanded.
He is 38 years old. He is currently a series regular on a Fox primetime comedy. He is in a Netflix limited series with Julianne Moore. He has an Emmy-winning Netflix credit on his résumé. He has been in the Marvel Cinematic Universe. He has been one of the Arrowverse’s most celebrated villains. He originated a role on Broadway opposite a biographical portrait of one of Latin music’s most beloved figures. And by every indication, he is not finished yet.
The tv shows with Josh Segarra that have already been made are remarkable. The ones yet to come are the part of the story still being written.
Career Timeline
| Year | Television Milestone |
|---|---|
| 2005 | TV debut in Vampire Bats (CBS) |
| 2009 | Joins The Electric Company (PBS) as series regular Hector Ruiz |
| 2011 | Guest roles on Homeland (Showtime) and The Following (Fox) |
| 2014 | Guest on Blue Bloods (CBS); joins Chicago P.D. (NBC) as recurring Justin Voight |
| 2013 | Joins Sirens (USA Network) as Billy Cepeda; promoted to series regular S2 |
| 2016 | Cast as series regular Adrian Chase / Prometheus on Arrow (CW) Season 5 |
| 2019 | Joins The Other Two (Comedy Central); The Moodys (Fox) |
| 2020 | AJ and the Queen (Netflix); Orange Is the New Black (Netflix); Dolly Parton’s Christmas on the Square (Netflix — Emmy winner) |
| 2022 | She-Hulk: Attorney at Law (Disney+) as Pug |
| 2023–2024 | Giorgio in The Big Door Prize (Apple TV+) Seasons 1–2 |
| 2024 | Guest on Abbott Elementary (ABC); series regular on Animal Control (Fox) |
| 2025 | Joins Sirens limited series (Netflix) with Julianne Moore |
| 2026 | Continues as series regular on Animal Control (Fox) |

















